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While much of the critical discussion about the emerging genre of 9/11 fiction has centred on the trauma of 9/11 and on novels by EuroAmerican writers, this book draws attention to the diversity of what might be meant by "post" -9/11 by exploring the themes of uncanny terror through a close reading of four "post" -9/11 South Asian diasporic fictions.
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"Writing the 9/11 Decade investigates the relation of the novel to reportage, and the role of both in shaping culture, by looking at novelists' journalistic responses to the September 11 attacks. Journalist and academic Charlie Lee-Potter argues that novelists were entrapped by the expectation that they would provide an immediate non-fiction response to 9/11. Beginning with an examination of the sometimes mawkish writing that emerged in the days after the attacks, Writing the 9/11 Decade traces the evolution of literary journalism -- in writers such as Ian McEwan, Paul Auster, Don DeLillo, Mohsin Hamid and Nadeem Aslam -- into new methods of subsuming the disaster, while attempting to stand apart from it. It includes interviews with novelists such as Richard Ford, Amy Waldman and Kamila Shamsie, as well as the only longform interview granted by the former Archbishop of Canterbury, Dr Rowan Williams, who is himself a 9/11 survivor. In assessing the novel's capacity to respond to and contain an unimagined traumatic event, Writing the 9/11 Decade stands as a contemporary history of the form."--Bloomsbury Publishing.
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The years following the attacks of September 11, 2001 have seen the publication of a wide range of scientific analyses of terrorism. Literary studies seem to lag curiously behind this general shift of academic interest. The present volume sets out to fill this gap. It does so in the conviction that the study of literature has much to offer to the transdisciplinary investigation of terror, not only with respect to the present post-9/11 situation but also with respect to earlier historical contexts. Literary texts are media of cultural self-reflection, and as such they have always played a crucial role in the discursive response to terror, both contributing to and resisting dominant conceptions of the causes, motivations, dynamics, and aftermath of terrorist violence. By bringing together experts from various fields and by combining case studies of works from diverse periods and national literatures, the volume Literature and Terrorism chooses a diachronic and comparative perspective. It is interested in the specific cultural work performed by narrative and dramatic literature in the face of terrorism, focusing on literature's ambivalent relationship to other, competing modes of discourse.
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Writers have represented 9/11 and its aftermath with varying degrees of success. In Out of the Blue, Kristiaan Versluys focuses on novels that move beyond patriotic clichés and cheap sensationalism and provide new insights into the emotional and ethical impact of these traumatic eventsand what it means to depict them. Versluys focuses on Don DeLillo's Falling Man, Art Spiegelman's In the Shadow of No Towers, Jonathan Safran Foer's Extremely Loud and Incredibly Close, Frédéric Beigbeder's Windows on the World, and John Updike's Terrorist. He scrutinizes how these writers affirm the humanity of the disoriented individual, as opposed to the cocksure killer or politician, and retranslate hesitation, stuttering, or stammering into a precarious act of defiance. Versluys also discusses works by Ian McEwan, Anita Shreve, Martin Amis, and Michael Cunningham, arguing for the novel's distinct power in rendering the devastation of 9/11.
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This is a comprehensive study of the first decade of literary representations of 9/11, moving from Art Spiegelman's In the Shadow of No Towers (2003) to Amy Waldman's The Submission (2012). It traces the way literature has dealt with an event that continues to shape world conflict and resonate prominently in the American imagination, and argues that the corpus of literary fiction discussing 9/11 is characterized by a fundamental sense of conflictedness related to the tensions between trauma or mourning and political imperatives. Additionally, this book assesses an equally divided body of criti
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"Fictions of the War on Terror takes an important new approach to contemporary debates in post-9/11 literary studies. Arguing that there are a number of contemporary novels that challenge the reductive 'us and them' binaries that have been prevalent not only in politics and the global media since 9/11, and also in many works within the emerging genre of '9/11 fiction' itself, Daniel O'Gorman eloquently demonstrates the complexities and intricacies of this challenging field. A total of eleven novels are analysed, including What Is the What by Dave Eggers (2006), Burnt Shadows by Kamila Shamsie (2009), Gods Without Men by Hari Kunzru (2011), and Open City (2011) by Teju Cole"--
Fiction --- Literary criticism --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in literature. --- Terrorism in literature. --- History and criticism. --- American --- General. --- Influence.
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Narrative Innovation in 9/11 Fiction explores fiction that experiments in innovative ways with formal strategies so as to engage with the 9/11 terrorist attacks on the World Trade Center towers and their repercussion. This study demonstrates how certain novels create narratives about the 9/11 attacks that refuse to shy away from exploring and representing their difficult and problematic aspects and, in fact, insist on doing so as the only means of coming to terms with the events in all their cultural and historical specificity. As such, these texts implicitly advocate a notion of literature as a dynamic negotiation of the relationship between aesthetics, ethics, politics, culture, and history. Indeed, they assert and reassert the viability of literature as a mode of critical inquiry that can engage and contribute to the socio-political debates of its time and to the construction of narratives about significant historical and cultural events.
September 11 Terrorist Attacks, 2001, in literature. --- Foer, Jonathan Safran, --- Фоер, Джонатан Сафран, --- ספרן פויר, ג׳ונתן --- פויר, ג'ונתן ספרן, --- Safran Foer, Jonathan, --- 820 "20" --- 820 "20" Engelse literatuur--21e eeuw. Periode 2000-2099 --- Engelse literatuur--21e eeuw. Periode 2000-2099 --- September 11 Terrorist Attacks, 2001, in literature --- Фоер, Джонатан Сафран
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American literature --- psychotrauma's --- terrorisme --- anno 2000-2009 --- Attaques terroristes du 11 septembre, 2001, dans la littérature --- Psychic trauma in literature --- Psychisch trauma in de literatuur --- September 11 terrorist attacks, 2001, in literature --- Terroristische aanslagen, 11 september 2001, in de literatuur --- Trauma psychique dans la littérature --- American fiction --- Fiction --- Psychic trauma in literature. --- September 11 Terrorist Attacks, 2001 --- September 11 Terrorist Attacks, 2001, in literature. --- History and criticism. --- Influence. --- History and criticism --- September 11 Terrorist Attacks, 2001, in literature --- Influence --- 21st century --- September 11 terrorist attacks, 2001 --- DeLillo, Don --- Spiegelman, Art --- Foer, Jonathan --- Beigbeder, Frédéric --- Thematology --- Psychological study of literature --- French literature
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